The artwork

From February to November 2018, at the invitation of Plantations-Bio, I studied and painted 3 tables 160 x 130 cm to present COP24 in a pleasant way, thus continuing COP21 (from Paris) United Nations Conferences on Climate Change

For a long time I practice my style of art Figur'Actif (and therefore not commercially to make that modern abstract bourgeois) I had also painted tables already for the COP3. Here are those of COP24:
- The first one : https://www.artmediacom.com/en/cop-24-support-our-planet-savings-our-fruit-W1488
- The second : https://www.artmediacom.com/fr/pour-unesco-le-logo-du-cop24-2018-save-our-planet-W1576
- the 3rd : https://www.artmediacom.com/en/conference-cop24-katowice-2018-with-unesco-W1870

The Artist : Pierre Marcel Saint-Clair-sur-Epte

I paint in cultural and ecological expressions, so not just in simple "Contemporary Art" Since my youth a sincere worker of intense, positive, figur'active arts, I have worked every day in my art for forty five years and even to whole worlds (France, USA, Russia).
My best paintings are still available at ST Clair.
My public workshop is at La Salle du Prieuré, 3 place Rollon, 95770 Saint Clair sur Epte. It is the historic Ile-de-France village of the creation of Normandy, during the 911 peace treaty with the Vikings. This is how I promote this peace treaty, and constantly realize (by paintings, sculptures, decorations, frescoes, Land art installations) links between the 3 regions where I am an artist in this valley of the Epte , this crossroads Île de France, Normandy, Haut de France ...

Video https://youtu.be/uMHJz8t8N0Q (30 minutes) showing for several years my public activities as a social artist.

Volunteer activity of course, because the cultural administrations of the regions in France I bring them together in sympathy, I am an activist of Peace, of the inter-social. (I am also an American citizen, having started my career for 22 years in Miami-Beach, Florida, having participated in saving the Art-Deco area of Miami-Beach)

I am interested in social news (culture, news, ecology etc ...) and local cultural heritages. This is how my figurative-conceptual painting and my “land art” and “Streets-art” installations present the artist as a possible useful and pleasant actor in his contemporary society. My Land Art and my figurative-conceptual painting style are therefore actions of public F IGUR'ACTIF style arts.